Have you ever wondered how to convert your images or photos into short videos or animations?
Then you're in the right place!
AI video generators are becoming increasingly important – a clear sign of the growing significance of this technology.
In this blog post, we'll show you step by step how to turn images into AI-generated videos using the "Motion Brush" feature of the AI tool Runway:
- Runway Gen-3 with Motion Brush transforms images into 4-second videos in 30-60 seconds with precise animation control
- Free alternatives 2025: Pika Labs 1.5 (150 credits/month), Kling AI (10 videos/day), and Stable Video Diffusion (local)
- Best results with high-resolution, square images (1024x1024+) and subtle animations like hair movements
1. Sign Up & Pricing
Before getting started with Runway, you need to create an account. You can do this either by entering your email address or using a Google, Apple, or Facebook account.
Thanks to the "Free Forever" plan, you can test and use Runway directly without worrying about any payment processing:

The Free plan is actually free and offers you 125 credits every month. This equals 25 seconds for Gen-2 (Text-to-Video), 8 seconds for Gen-1 (Video-to-Video), or 25 image generations.
However, you cannot edit the videos and they will be watermarked. If you want more, you should upgrade to the Standard Plan:
The Standard Plan costs $12 per month with annual billing and includes 625 credits per month, equivalent to 125 seconds for Gen-2, 44 seconds for Gen-1, or 125 image generations. Additionally, watermarks are removed, you can export videos up to 4K resolution, and train your own "AI Generator."
Runway's popularity is also reflected in the numbers: The company reached annual recurring revenue of $90 million USD in June 2025, highlighting the strong demand for AI video tools.
2. Create Video
Once you're logged in, you'll be redirected to your dashboard. Here you have access to all of Runway's tools and features:

To "bring your images to life," click on "Try Gen-2" and go directly to the "Image-to-Video" editor.
If you don't yet have an image you want to animate with Motion Brush, but only have a rough initial idea, first click on "Text-to-Image" in the dashboard.
There you can create an image using a text prompt that you can then continue working with.
For this example, I created the following image of a rubber duck with Runway:

By clicking on "..." you can easily continue editing and use it in Gen-2 (Image-to-Video).
In addition to general settings like resolution, negative prompts, and (with premium plans) the option to remove the watermark, you can set up the dynamic camera and use the "Motion Brush Feature" in the editor:

Now you have five brushes available and can animate five different areas independently.
Use the Motion Brush tool to mark areas in the image that you want to animate. Draw paths and choose motion directions to achieve the desired effects:

The brushes are marked with different colors, so you can see at a glance which different areas you've designated for animation.
The brushes themselves are self-explanatory. You simply paint the areas to be animated with the brush.
For each brush, you can set the camera movement separately. Simply select the desired brush at the top right and then adjust the horizontal, vertical, and movement strength:

Once you've set up all brushes and started the generation, Runway takes a while until your AI video is ready:

3. Export, Publish, and Share Video
Once the animation looks right to you, export the video in your preferred format. Runway offers various export options for different needs.
Here you can see our video of the animated rubber duck:
4. Tips for Optimal Results
Results in image-to-video conversion are often not good. The reason is usually that the movements look unnatural and don't "fit together."
To avoid this, it's important to work from layer to layer when creating:
Think of your video in "layers," where each represents a different depth/distance. Objects that are closer are in the front layers, and objects that are farther away are in the back layers.
Important to understand:
Closer objects appear to move faster to the human eye than distant ones (this concept is called "motion parallax").
So always start with the frontmost layer and with a correspondingly faster movement.
Switch to Brush 2 for your next layer and apply a somewhat slower movement, as the layer is further back.
Continue with the remaining layers and reduce the movement as you move to the back layers.






